The Nonknowledge No No performative lecture was the last in a series of lectures on the Gylleboverket platform for contemporary art and film in the vicinity of the Swedish city of Simrishamn and took place in September 2022.

Six strangers gathered at the entrance of the Academy of Music in Dresden. Gradually, their places are taken by others, however, the substance of the group remains unchanged.

“Time either does not exist at all or barely exists”. But it seems that we don't have time now to think about time anymore. Stop. This thought itself is about time, and we have denoted it by the word Now. How long does it take to read it in such a way that Now matches its meaning?

In the act of subjectivation, artistic practice and political action meet each other. Politics is realized as crystallization, at the basis of which we assume two elements: the place, blank space that anyone may take — on the one hand, and the subject himself, acquiring that subjectivity as a result of the performative act. In the core, we have an unoccupied structure of six places, which appear to be the room for such performativity.

Maintaining the material and institutional autonomy provided by digital media and the principles of media asceticism, Marika Krasina, and Anton Kryvulia implemented a series of experiments and studies in spring 2019 in Seoul.

Music that arose by chance from the fragments of a branch, a stone on a string and an electric organ in the hall of a large tired museum.

Medium is the electronic version of the Pythagorean monochord. It is extremely simple — a tree branch, two stones, two nails, steel string, and a contact microphone. It is made anew every time, immediately prior to the Aliens' performance. It is the perfect tool for installing sound impregnated with overtones. The Medium and the sound from it constitute a singular art object, the installation of which in space takes place using special performative practice.

All personal possession of the artists were bounded together and suspended on the six strings as a weight for the tension. The strings were the drivers for the processual performing of the sounds collected and selected by the artists, especially for the event. Six suspended objects formed the playground for performative procedure lasted 6 hours until the installation got broken.

Marika Krasina and Anton Krivulya are trying to get Boris Yeltsin to play the drums.

Tools of Disclosure is a part of Bubble Opera: a series of performative acts implemented by the Rabota on the territory of ZKM/HfG in Karlsruhe, Germany in 2017-2018 as an institutional intervention.

Bubble Opera is a series of six performative acts implemented by the Rabota on the territory of ZKM/HfG in Karlsruhe, Germany in 2017-2018 as an institutional intervention.

Sound performance, viewed from the perspective of a contemporary art spectator unexpectedly turns out to be a provider of raw musicality. We call it (Music) in brackets.

Video that we recorded in the Moscow flat, in the days when we were passionate about an investigation on Medium.

During the Booty Art (Beute Kunst) exhibition, Rabota tried to make the time visible, and these risky experiments led to death so many objects as artists were able to find at the streets of Karlsruhe. Booty Art (Beute Kunst) – the term invented especially for the exhibition at the UND#9 Festival in Karlsruhe, Germany. Thrown away student paintings, plates, exercise bike and two antic chairs from Markus Lupertz waste were found on the streets of Karlsruhe, modified, overpainted and then sold during the exhibition.

The artists' atelier in Budapest turned in two months into a performative space in which artists experimented with research in the field of phenomenology.

The Chaos Sense Delight exhibition was held in Moscow in February 2016 at the Burakova Street Atelier. It was one of the last attempts to invest in art production, namely analytical painting. It brought the artists to Moscow, to the infamous studio of the Smirnov and Sorokin Foundation on Burakova St.

In August 2015, Marika Krasina and Anton Krivula recreated the details of their robbery in Barcelona. The exhibition in Dresden consisted of a story about events, a video on the screen of a mobile phone, a list of stolen things, and the installation of those things that remained after the incident.