We were on the Documenta, and everything there seemed strange to us. We felt like people from another time and space, with completely different concerns and expectations. It was the same alienation at the Biennale in Venice in April. We shot a short film about this in the Back door Journalism style that we invented a few years earlier.

We found this cassette in Anton's old suitcase abandoned in a cold garage in Minsk for more than ten years. On it, we discovered the master tape of an album, which Anton had been producing for almost two decades since the early nineties. The album was finally mixed to this cassette in 2010 and titled "Billion Yellow Birds." But now the tape crumbles off; the cassette was damaged by freeze and moisture.

The failed attempt to visit Uffizi Gallery in Florence or Aliens' backdoor view on the institutional events of contemporary art in the spirit of gonzo journalism.

The video shows a not very successful attempt to get to the Biennale 58 exhibition in Venice during the worst flood in modern history. Anton wounded his legs with rubber boots so hard that he still has scars on both legs.

The route to the scene and artists' property served as a tool for the performative installation, presented in Mannheim in July 2018.

Since 2014 Aliens have been publishing the annual report with verbatim and photo documentation of their nomadic artistic practice.

The scroll of artists' private possessions was compiled on June 21, 2015, in the Dresden office where Marika Krasina and Anton Kryvulia used to live at that time.